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Music --- Sociology of culture --- Popular music --- #SBIB:309H142 --- #SBIB:309H040 --- #SBIB:316.7C140 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- History and criticism. --- Social aspects. --- Populaire muziek: functies, muziekgenres, historiek --- Populaire cultuur algemeen --- Cultuursociologie: cultuur en globale samenlevingen --- History and criticism --- Social aspects

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Music --- Mass communications --- Germany --- Music trade --- Popular music --- -Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Music business --- Music industry --- Cultural industries --- History and criticism --- Music trade. --- History and criticism. --- -History and criticism --- -Music --- Music, Popular --- -Music business --- Poetry --- German literature --- German language --- Sociology of literature --- Economie --- Duitsland --- 20e eeuw --- Liederen

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Music --- Salsa --- Jazz --- Central America --- Salsa (Music) --- Popular music --- History and criticism. --- Jazz. --- 785.16 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- History and criticism --- Latin America --- 20th century --- Central America. --- Salsa (Music) - History and criticism. --- Popular music - Caribbean Area - History and criticism.

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Popular music --- #SBIB:309H140 --- #SBIB:316.7C215 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Social aspects --- Populaire muziek: algemene werken --- Cultuursociologie: muziek --- Methods in social research (general) --- Sociology of culture --- United Kingdom --- France

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Music, Popular Culture, Identities is a collection of sixteen essays that will appeal to a wide range of readers with interests in popular culture and music, cultural studies, and ethnomusicology. Organized around the central theme of music as an expression of local, ethnic, social and other identities, the essays touch upon popular traditions and contemporary forms from several different regions of the world: political engagement in Italian popular music; flamenco in Spain; the challenge of traditional music in Bulgaria; boerenrock and rap in Holland; Israeli extreme heavy metal; jazz and pop in South Africa, and musical hybridity and politics in Côte d’Ivoire. The collection includes essays about Latin America: on the Mexican corrido, the Caribbean, popular dance music in Cuba, and bossanova from Brazil. Communities of a cultural diaspora in North America are discussed in essays on Somali immigrant and refugee youth and Iranians in exile in the US. Grounded in cultural theory and a specialized knowledge of a particular popular musical practice, each author has written a critical study on the mix of music and identity in a particular social practice and context.

Popular culture. --- Popular music --- Identity (Psychology) --- Popular music. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- History and criticism. --- #KVHA:Cultuur --- #KVHA:Culturele identiteiten --- Sociology of culture